I mentioned in an earlier post that Warren Zevon had finally passed away – I think it was a week ago.

I just got his new CD, which was written in the space between diagnosis (terminal) and death. It’s garnered generally very positive reviews.

I don’t know. I’m a Zevon fan (not fanatic), and I thought it was interesting – 2 or 3 strong songs – but that’s it. Obviously, hold a mirror of impending death to this picture, and the effort appears stronger/heroic or whatever.

But I think Zevon wouldn’t like that: The music should stand for itself – written in the lap of luxury or facing death, no difference. Shouldn’t matter.

That said, the last cut on this, the last Zevon CD (and he knew it) is both a brilliant song and a perfect closing to a turbulent, inventive musical life.

The song cuts; even if you didn’t know the circumstances, it would be a powerful statement – in a very understated, non-sentimental way. It’s simply a song of someone saying goodbye, letting go, understanding that the end is near.

Knowing what we all know – that this is not a device, it’s the truth – it’s even stronger.

But again, the music should stand on it’s own.

But how can you brush aside lyrics like this?:

For this cut alone the CD is worth owning.